7 Steven Spielberg Movies That Are Just Kind of Average
Steven Spielberg is a titan of cinema, known for his ability to craft unforgettable stories and characters. However, even the best filmmakers have moments in their careers that may not sparkle as brightly as others. In this breakdown, we’ll explore seven Steven Spielberg movies that, while offering elements of interest, can be considered just kind of average when weighing them against his iconic filmography.
Quick Summary
Throughout Spielberg's extensive career, which spans over 30 films, there are certain titles that simply haven’t resonated in the same way as the classics. This article examines a selection of those somewhat lackluster entries, including films like The Post and Bridge of Spies, highlighting their story angles, character arcs, and overall audience impact.
Story Setup
The stories crafted by Spielberg are often grounded in common themes of humanity, courage, and adventure. However, the selected movies exhibit a tendency towards narratives that feel less compelling or innovative compared to his masterpieces. For instance, The Post touches on the important historical issue of press freedom and governmental transparency, yet may come across as predictable and formulaic. With its focus on the racial and ethical dilemmas surrounding the Pentagon Papers, it relies on a historical context that, while significant, may not provide the engaging thrill one would expect from a Spielberg production.
Similarly, Bridge of Spies, based on true events, tells the tale of a lawyer’s quest to negotiate a prisoner exchange during the Cold War. Its pacing and structure can feel sluggish, leaving viewers with moments of brilliance overshadowed by an overall sense of mediocrity.
Main Characters
The characters in these films often have the potential to shine but may fall short due to writing or character development. In The Post, Meryl Streep and Tom Hanks deliver solid performances as Katherine Graham and Ben Bradlee, respectively. Despite their on-screen chemistry and acting prowess, some audiences might feel that the characters don't evolve in significant ways, resulting in an experience that lacks emotional depth.
In contrast, Bridge of Spies features a gripping performance by Tom Hanks as James B. Donovan, but the secondary characters sometimes get overshadowed by the film’s heavy focus on the lead. The supporting cast, while talented, often gets little room to breathe, which could have elevated the film’s emotional stakes.
Ending or Latest Episode Explained
Both of these films conclude with a sense of resolution that feels expected rather than surprising. In The Post, the climax revolves around the decision to publish the Pentagon Papers, culminating in a victory for journalistic freedom. This conclusion, while satisfying, lacks the dramatic punch typical of Spielberg’s earlier works like Schindler's List or Saving Private Ryan.
On the other hand, Bridge of Spies offers a resolution that highlights the triumph of diplomacy and understanding amidst intense political tension. However, these endings often appear more as closures than climactic revelations, contributing to the films' overall mediocrity in the eyes of many viewers.
What Could Happen Next
Given that these films are grounded in historical events, the potential for sequels or further exploration may be limited. However, filmmakers could take creative liberties to delve deeper into character backstories or related narratives that add more depth to existing tales. For instance, a film exploring Graham's earlier life could unveil extraordinary complexities that mirror the societal changes during her era in journalism. Similarly, exploring the aftermath of the events in Bridge of Spies could reveal long-term impacts on U.S.-Soviet relations.
Why This Is Trending
This discussion around Spielberg’s cap on average films is gaining traction in light of recent debates on the director's legacy. As newer filmmakers emerge and audiences consume an ever-growing diversity of content, there's a natural tendency to reevaluate the giants in cinema, including Spielberg. The juxtaposition of his best works against these average representations invites a nostalgia and critical analysis that spark conversations about creativity and evolution in filmmaking.
Films categorized as average often serve a purpose in a canon. They remind viewers that creation is an imperfect process, and even bobbins of cinematic brilliance can have moments that feel less than grand. The dialogue sparked by articles like those featured on Collider shifts audiences' perceptions, challenging them to consider how even great directors navigate the ebbs and flows of storytelling.
Final Thoughts
While it can be disappointing to recognize that some beloved filmmakers have produced works that resonate less than others, it’s essential to remember that every story adds to the overall tapestry of their career. Spielberg’s average films provoke thought and analysis, serving as reminders of the vast landscape of storytelling. By diving into this discussion, audiences connect on a deeper level with the evolution of cinema, forging a path toward what could come next in the realms of creativity and innovation.
In the end, it’s our engagement with these films that continues to shape and redefine the legacy of directors like Spielberg—a legacy that’s undoubtedly embedded in the hearts of countless moviegoers around the world.
